I remember a cafe near the spectre of a medieval tower in downtown Moscow, my head wrapped around medieval monks and definitions of sins and punishments. I wonder; What was I trying to get at, there? What does the timbre of that cafe represent, that sense of Moscow's cold and early spring? I convince myself that I can reinterpret, and renegotiate, those meanings. I convince myself that a sincere writer can't worry about what is en vogue (a question for the opportunist and worst kind of literary critic).
I can't fill in all the gaps of the void. There must be silences while I still decide upon which side the divine hammer's (Tolstoy-is-God-construct-the-writer-is-dead-Tolstoy-is-dead-God-is-dead) blow must fall. There can't be synthesis, can't be ultimatum, only --
He asks, "What will you write about today?"
I say, "Probably I'll put her through the same situation I'm in."
He says, "That's a horrible thing to say. That's doubly hurtful."
The Wrathful Poetess said her poetry workshop became sick of love poems. I'm scared my workshop will be sick of discontented male aesthetes.
8 months ago